Anna's sculptures evolve from wool to bronze, glass, photography, and projected light into Bodies of Work. Each new material realization is both an archive of the previous one and the beginning of the next. She brings to the studio an operating system forged in motherhood, trained to recognize unfixed potential. She plays to transformation already in progress, creating conditions for relationships to feeling and meaning to unfold over time. With each material transformation, the sculptures gain the capacity to continue beyond the object into immersive environments where architecture and moving bodies become new materials of the work.